Although Get Out has some fantasy elements, Jordan Peele took inspiration from real life to tell the story of Chris Washington (Daniel Kaluuya) and the worst weekend of his life at the Armitages' home.

Get Out is specific and pointed about white privilege and power and the inequities it creates, not just on a broad societal level, but in situations as small as social gatherings and casual conversations.

Peele has said that his target with Get Out was primarily the white liberal elite, the types who think President Obama's election and their own open-mindedness have solved racism. And he's unsparing in mocking them, in terms of making his antagonists not just ruthless, but laughable.

The film Get Out by Jordan Peele gives us a unique insight into the horrors of black mens life in America. His thriller, although it is somewhat dramatized shows how real and scary it is to be a man or woman of color. Throughout the film, we see multiple systemic racist issues and stereotypes.

Rose's Cereal And Milk Symbolizes Segregation Because Froot Loops are colorful and milk is white, the separation of the two seemingly symbolizes the American Segregation era when people of color were forced to use different public amenities than white people.

Get Out draws on the visceral experience of being objectified or colonized by another consciousness. From the beginning of the film, Peele's directorial vision is clear: creepy, funny, totally contemporary and aware of what it's doing.

The deer that is hit by a car early in the film represents Chris' past trauma, particularly the death of his mother via hit-and-run, which deeply affects him but seems to go unnoticed by his girlfriend Rose.

The political opposition that the colors red and blue represent in Get Out is recognizable throughout the entire film. The red color of the car represents the republican ideology, while Chris' blue clothes represents the democratic one.

A target audience is a group of people defined by certain demographics and behavior. Often, businesses use what they know about their target audience to create user personas. These personas guide their decisions on marketing campaigns.

Get Out is a box office success because of three reasons: Those fantastic trailers weren't selling a false bill of goods. Audience members got what they paid for, plus a little extra. It's actually a good movie. While the horror genre provides some insurance, you still have to make a good movie.

Get Out is a box office success because of three reasons: Those fantastic trailers weren't selling a false bill of goods. Audience members got what they paid for, plus a little extra. It's actually a good movie. While the horror genre provides some insurance, you still have to make a good movie.

By the end of the movie, Peele makes it clear through his symbolism that deer and Kaluuya's character Chris are intended to be mirror images of one another, drawing a parallel between black men being prized as trophies just like the taxidermy deer hanging on the wall in the room where Chris was held captive.

By the end of the movie, Peele makes it clear through his symbolism that deer and Kaluuya's character Chris are intended to be mirror images of one another, drawing a parallel between black men being prized as trophies just like the taxidermy deer hanging on the wall in the room where Chris was held captive.

In this scene, Dean had a red pocket square but we also kept him in brown, an earthy tone to keep his appearance accessible. Another thing no one saw, but he was also wearing loafers, which we painted with little red pennies. Red was a very important color in the film because it is symbolic of secret societies.

Violence isn't constant but is really brutal when it happens, with fighting, bashing with blunt objects, kicking, stabbing, guns, shooting, and lots of blood. There's also a gory surgery scene and a deer that's hit by a car and shown injured and bleeding.

There are a few scenes of violence that include a somewhat graphic lobotomy, a woman being shot, and a man being stabbed with antlers. All brief scenes. A couple of sexual references. Some strong language as well.