Fabrics. Anna always wear light, flowy gowns and capes. This was meant to represent her active and playful personality. Her accents and shape are always round (and triangular), but later starts to become squarer as she matures.

Anna's style draws inspiration from traditional Norwegian folk wear known as the bunad, a dress typically made out of wool and adorned with embroidery, and silhouettes like the cinched waist and full, A-line skirt from Christian Dior's “New Look.” Her looks tend to be grounded in the fabrics and materials of the place ...

Anna is more daring than graceful and, at times, can act before she thinks. But she's also the most optimistic and caring person you'll ever meet. She longs to reconnect with her sister, Elsa, as they were close during their childhood.

Christopher Oram Christopher Oram, set and costume designer: The joy of the film is that it behaves like a classic fairytale but also bends all the rules. Frozen is subversive and that's why it's successful.

Spirited and loving, Anna gives her heart freely to those she cares about. Ever the optimist, she's proud to be Arendelle's Queen and always tried to do her best for the Kingdom and the people she loves.

Official Description Anna is more daring than graceful and, at times, can act before she thinks. But she's also the most optimistic and caring person you'll ever meet. She longs to reconnect with her sister Elsa, as they were close during their childhood.

Anna's style draws inspiration from traditional Norwegian folk wear known as the bunad, a dress typically made out of wool and adorned with embroidery, and silhouettes like the cinched waist and full, A-line skirt from Christian Dior's “New Look.” Her looks tend to be grounded in the fabrics and materials of the place ...

Costume design has a very long history. The ancient Greek playwright Aeschylus, who lived in the 5th century B.C., created specific costumes for actors to wear when performing his tragedies. In the Middle Ages and the Renaissance, scenery and costumes became increasingly important elements of stage plays.

The Life of Anna follows the naive and innocent Anna as she enters a dark world of greed, politics, and an evil puppet master who pulls the strings to her world. And beyond. Readers be warned, for this journey is not for the faint of heart.

One of two main protagonists in the novel (the other being Konstantin Levin), Anna is the beautiful, passionate, and educated wife of Alexei Karenin, a cold and passionless government official.

Spirited and loving, Anna gives her heart freely to those she cares about. Ever the optimist, she's proud to be Arendelle's Queen and always tried to do her best for the Kingdom and the people she loves.

Anna Karenina is commonly thought to explore the themes of hypocrisy, jealousy, faith, fidelity, family, marriage, society, progress, carnal desire and passion, and the agrarian connection to land in contrast to the lifestyles of the city.

Costume design is the creation of clothing and accessories for characters in movies and TV shows. Whether it's a well-worn t-shirt or an elaborate period dress, a lot of thought goes into each character's overall look.

Costume design has a very long history. The ancient Greek playwright Aeschylus, who lived in the 5th century B.C., created specific costumes for actors to wear when performing his tragedies. In the Middle Ages and the Renaissance, scenery and costumes became increasingly important elements of stage plays.

Becoming Anna is the poignant memoir of the first sixteen years in the life of Anna Michener, a young woman who fought a painful battle against her abusive family.

Sex and the City meets Bad Blood and Catch Me If You Can in the astonishing true story of Anna Delvey, a young con artist posing as an heiress in New York City - as told by the former Vanity Fair photo editor who got seduced by her friendship and then scammed out of more than $62,000.