Luca follows the coming-of-age of shape-shifting Luca Paguro and is vastly inspired by director Enrico Casarosa's youth spent on the Italian seaside. The sea monster teen is privy to a deeper understanding of personal identity while caught between worlds.

"Luca" isn't one of the deeper Pixar releases but it did have one thing that made it stand out for me... I liked it. The characters were enjoyable and the story, though simple, was delightful. The plot is actually much like Disney's "The Little Mermaid".

2D animation Luca's animation style is inspired by 2D animation. “For animation, we wanted to incorporate the bold, illustrative choices and stylized timing of 2D animation, while preserving the richness we've come to expect from a Pixar film,” Venturini says.

Presto is the proprietary software developed and used in-house by Pixar Animation Studios in the animation of its features and short films. Presto is not available for sale and is only used by Pixar. As a result, little is known outside Pixar about the detailed workings of this software.

A young boy experiences an unforgettable seaside summer on the Italian Riviera filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: he is a sea monster from another world just below the ocean's surface.

Set in a beautiful seaside town on the Italian Riviera, the original animated feature is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply held secret: he is a sea monster from another world just below the water's surface.Luca / Film synopsis

Luca is a satisfying Pixar adventure, one of their better ones I'd say. Is it their best? No, but it's charming as hell and often quite funny and a great coming of age story for children which will also be nostalgic for adults.

Over the years, Disney transitioned from 2D to 3D animation, replacing the older style with a more realistic and human approach. Animation that was used in The Lion King, Aladdin, The Emperor's New Groove, and many other movies is now rarely used.

Some of the best animation software in the market are Visme, Adobe Animate, Adobe Character Animator, Pencil2D, Biteable and Animaker. In this guide for beginners, we're going to explore these options and more to help you find the best animation software for your needs.

RenderMan RenderMan has been used to create digital visual effects for Hollywood blockbuster movies such as Beauty and the Beast, Aladdin, The Lion King, Terminator 2: Judgment Day, Toy Story, Jurassic Park, Avatar, Titanic, the Star Wars prequels, and The Lord of the Rings.

Movie at a glance Luca is a literal fish-out-of-water story: fish-boy Luca discovers his land legs and learns lessons about friendship, belonging and identity along the way.

Luca and Turning Red are starting a new trend of inclusivity themes for Pixar, something the CGI animation studio has not typically been known for. With Luca and Turning Red, Pixar appears to be shifting more of its focus to themes of inclusivity, breaking from its previous trends.

Luca was afraid of being discovered. He was afraid of being different on both sides: he was a sea monster who wanted to be in the world of humans, but at the same time he did not quite fit into that world. But at the end of the day it was his differences that made him able to adapt and achieve his dreams.

The artists watched their movements and their walks, transposing these observations into each film in a unique way. The vitality provided by studying of life in movement coupled with the influence of successive art movements over the decades, is at the heart of The Art of Walt Disney Animation Studios.

Alice's Wonderland Walt Disney arrived in California in the summer of 1923 with a lot of hopes but little else. He had made a cartoon in Kansas City about a little girl in a cartoon world, called Alice's Wonderland, and he decided that he could use it as his “pilot” film to sell a series of these “Alice Comedies” to a distributor.

By presenting a sequence of still images in quick enough succession, the viewer interprets them as a continuous moving image. This is the same principle that enables live action film making and projection to work. Film theorists often refer to this illusion of movement as the persistence of vision.